Saturday 19 July 2008

Toast and birds...

So Thursday and Friday both saw the now much anticipated changing of the board as it has come to be known by the locals of Pimlico, with some people traveling from as far as Victoria to witness the grand sight!
Ok so that's not entirely true, people do stand and watch while the prints go up though but usually in pairs (discounting the group of fruit wielding youths mind as here were four of them). An old gent sidled up to the board whilst i put up Thursdays t'oast themed board and said "I've been thinking the very same thing, but you've really nailed it. Wonderful!". I'm not entirely sure what he meant, whether he had been thinking "people should eat toast...everyday!" or something akin to that i will never know as i merely said thanks and he trundled off on his bike chortling to himself. Nice chap. Here's the print in question:
Photobucket
Photobucket
Photobucket

It came about from me wanting to make a print that was an advert but advertised nothing by way of a brand or product, like how we used to get ads for eggs and milk. It could have been anything i guess but then i found an old Hovis ad which featured the insanity of a child who appeared to be emerging from some toast and that, as they say, was that. That and i really like toast. It's really, really good.

Friday's print then. I have a stock pile of images. They are in a series of boxes and folders, in no particular order or category. They are things i have found, been given, pulled out of magazines etc. Occasionally i will leaf through them and suddenly something jumps out and it finds it s way into a piece of work. I work in a similar way with the objects that end up in my work. I seem to have to have them for a while, to allow them to just be, before i consider they could become something else, to play a part in my making.
Anyway that is what happened with The Family Tree of Birds print. It is taken from a Pelican book on Psychology that i used for one of my Hole In One drawings which involve drawing the same circle repeated until it eats through the surface/object it is being drawn on. Before i made the drawing however i flicked through the book and pulled out maybe three pages that stood out. This was one of them. I liked how it seemed to say almost nothing and was also rather striking to look at. I found it the other day and decided it should be given new life on MFB. I wanted to inject some colour so i set about trying to find links between the birds that were more abstract then species or breed (band names or nouns for instance) and yet not immediately obvious to the viewer, and then colour coding them but without the key. I like the idea of allowing for play to an extent. Here's the result:
Photobucket
Photobucket
Photobucket
Photobucket
Photobucket
Photobucket

Thursday 17 July 2008

Better pictures...

So below is the better pictures of yesterday. I will post up the pictures of todays and tomorrows prints together. The weather today was so miserable when i pasted the print up that the photos taken just made me feel depressed so tomorrow it shall be. Today's theme as a taster was...Toast...and tomorrows is...The Bird Family. "The intrigue!" i hear you cry:

Photobucket
Photobucket
Photobucket
Photobucket

Wednesday 16 July 2008

Towards a New Atlas - part 1...

In keeping with MFB (i though I'd try out this abbreviation for My First Billboard as it takes too long to write. Maybe its a bit to crap though. Well I'll try it out for this post and see how it goes. no harm in that) tradition i was unable to take any decent pictures today of the billboard due to camera failure, or more to the point failure on my part to charge the battery. I did however take a couple of quick snaps on my phones camera. Technology truly is a wonderful thing. I'll take some better shots tomorrow but for now here is todays print Towards A New Atlas (Incomplete):

Photobucket
Photobucket

Now as promised i will share a few ideas and theories that reared their heads whilst reading Contemporary Art: From Studio To Situation. The particular projects within this book that seemed to resonate with the way i work and how this project is beginning to work were Bohn and Saffer's Mobile Porch project , Better Life Corporation's (Mejar Vida Corp) community based interventions and Adam Dant's free publication Donald Parsnips. These all seemed to hold similar core values at their hearts in that they are all concerned with direct contact with the public and not having the work mediated by a gallery or museum setting. Mobile Porch provided a station that was adaptable for a variety of uses morphing from stage to office to community meeting room, 'a flexible platform for people...to articulate or express or publish ideas'1. , Whilst Better Life Corp. alter peoples lives through small tasks for little gain such as distributing free travel passes at rush hour, showing an interest in removing the commodity and the commercial from artwork. It is Dant's work however that seemed most in tune with MFB. For a time Dant took it upon himself to distribute a daily free publication featuring an alter-ego of sorts called Donald Parsnip. Through free distribution on the streets of London on a daily basis between 1995-1999, Dant allowed himself to be 'responsible for the mediation of my own artwork'2. Ultimately i feel it is this that MFB grants me as an artist. It is a space i curate and mediate on my own terms also on a daily basis. I have begun to realise that it is a sort of giant sketch pad. I don't have to worry about works being finished, conceptually or actually as the board acts as a way for me to get the ideas out there without being precious about such things. If a print doesn't work it doesn't matter as it is likely to be gone the next day.

Anyway, a new print will be around again soon. I'm toying with the idea of collaborating for a day with someone so let me know if you're interested. I may even rent out the space to someone for a day if there's interest there...

1. Kathrin Bohm, Public Works, taken from Contemporary Art:from Studio to Situation, edited by Claire Doherty, Black Dog Publishing, London, England, 2004
2. Adam Dant, Donald Parsnips Daily Journal, taken from Contemporary Art:from Studio to Situation, edited by Claire Doherty, Black Dog Publishing, London, England, 2004

Post-it...

The first partial print went up on the billboard today. It's a blown-up scan of an amazing drawing on a post-it note that i found by The Oval cricket ground in South London. I'm not sure waht it is or why it would need to be on a post-it. i looks like a chap in a sweatband bleeding from his eyes to me. please feel free to leave your thoughts on this visceral masterpiece. Here's the original in all its poorly photographed glory:

Photobucket


And here's its billboard, oversized offspring:

Photobucket
Photobucket

A new one will arrive tomorrow and with it a new post. I found some insightful writings in the excellent book Contemporary Art: From Studio to Situation which i will try and find some relevant quotes for tomorrow. Frankly I'm too tired to right now and it feels like the energy needed could cause me to perish...

Monday 14 July 2008

Two for one...

So here are the belated photos from last week captured in thursday glorious morning sun. 'Superfreakin' indeed. It was originally going to feature the caption 'Dear God, Don't Look at Us!' but in the end it went up textless. I was also going to transform it today into a quick homage to Baldessari but alas i was lacking in the necessary paint. Think this may come up again though.

Photobucket
Photobucket
Photobucket

And on to todays print 'Lets Speak English'...

Photobucket
Photobucket
Photobucket
Photobucket

This was a true and unadulterated nightmare to paste up. It was firstly windy up there, secondly i just couldn't get the text to line up and thirdly some local youths decided to taunt me, try and steal my ladder and then throw fruit at me. I kid you not! BUT i soldiered on and got it up but that is the reason why this ones a tad on the wrinkly side. Still that should mostly 'fall out' as it drys (i apply a similar principle to all creased clothes i wear). The fruit wielding children however will continue to roam the streets until such a day when they are plucked from this earth and arrive promptly in hell...

The text itself is from a Linguaphone book on speaking English i found in a charity shop in Pimlico. I am drawn to how all the text in it ends up sounding like the rantings of a Daily Mail reader whose mind has finally vacated leaving paranoid babblings and very little else.